JO. B. CREATIVE

Author & Multi-Disciplinary Artist
Showing posts with label Western. Show all posts
Showing posts with label Western. Show all posts

Sunday, 16 November 2025

ALIAS JEANNIE DELANEY - AN EPIC WESTERN TRILOGY SNEAK PEEK!


ALIAS JEANNIE DELANEY - 
AN EPIC WESTERN TRILOGY
SNEAK PEEK!






Howdy Dear Readers!

Here follow three sample chapters from Books 1 & 2 of my epic western trilogy, Alias Jeannie Delaney. I've also added the images of Jeannie I've created over the years, most of which I've prettied up on Canva & BeFunky, the two graphics sites I use. I've learned computer graphic over the last couple of years, & that's very gratifying! Anyway, I hope you enjoy these. 




1880  
14 years old

The following summer Jeannie and her gang were lounging outside the candy store on the boardwalk. Jeannie, Mike, Casey and Juan were leaning back against the building’s weatherboarding, their legs outstretched. Ambrose and Chuck were reclining against the street railings. Hat brims were pulled down low. Between sucks on penny candies, they were puffing on cigarettes, and smoke lazily curled upward. Casey tapped ash onto the boardwalk, blew a cloud of smoke from between smiling lips and lifted his hat brim. He whipped his fringe from his face and grinned at Ambrose.
    “So, Ambrose, how’d ya manage t’get hold o’ these smokes, huh?”
    Ambrose grinned back. “Easy. My Pa had several packs in the parlour. Didn’t think he’d miss a pack.”
    They all chuckled, drew on their cigarettes and Ambrose sucked in his cheeks and pursed his lips. He coughed and put his fist to his mouth. Mike frowned at him. 
    “You all right?”
    “Tryin’ t’make smoke circles.”
    The others laughed and tried to follow suit. Jeannie gave a broad grin. “Ah know how ya supposed t’do it. Frank showed me.”
    Mike stared at her. “Did he?”
    “Sure did.”
    Casey turned to face her. “Go on then, do it.”
    “Right, ya suck in a mouthful of smoke, press yer tongue against the bottom of yer mouth, pretend t’suck a lollipop, like this …” She sucked her cheeks and lips in. “Open yer mouth to form an O, click yer lower jaw forward and blow.” But when she tried she ended up coughing crazily, her hand to her mouth, her face red. “Practice makes perfect, huh?” she managed to wheeze.
    The boys laughed out loud. There followed a long pause.
    Casey gazed at her. “Uh … Jeannie … don’t ever change, huh?” He scratched his head in embarrassment. Jeannie pushed her hat brim off her face and grinned at him. 
    “What? Huh? What ya goin’ on about, Casey Simmons?”
    “Well, you’re nearly fifteen, an’ most gals your age are learnin’ domestics an’ talkin’ about what they look like n’ worryin’ ’bout findin’ men. They ain’t excitin’. Not much fun. You cain’t make a real pal outta most gals.”
    She grinned at him and Casey’s nose creased in contempt. “Try talkin’ t’most gals our age an’ whaddya get? Blushes an’ giggles an’ lil’ itsy bitsy chitchat. Yuk!” He flung his head back against the wall, his fringe flying, and banged his skull. Cursing, he gave it a rub and yanked his hat down over his eyes.
    Jeannie chuckled and her eyes sparkled. 
    “Why, Ah thank ye, Casey Simmons … Ah think.”
    Casey lifted his hat brim again and regarded her. He adored her. She fitted his criteria of a how a girl should be. He broke his contemplation. 
    “Looked in a mirror lately?’”
    The others spluttered with laughter and grinned. They gazed at her. Chuck raised an eyebrow. 
    “Yeah – have ya?”
    She sat bolt upright, and her widened eyes fixed upon Chuck. 
    “Now why should Ah be wantin’ t’do that? Ain’t Ah s’posed t’be the kinda gal who don’t indulge in such antics, huh?”
    Her intent gaze discomfited Chuck, and he turned away, blushing. He distractedly drew on his cigarette and blew smoke. 
    “Wal, maybe you should look in a mirror. You’re growin’ up, Jeannie Morgan, an’ it’s showin’. An’ you’re amazingly beautiful for a kid.”
    Mike gazed absently into the distance and nodded. 
    “He’s right. You are.”
    “Thankee.



A Year Later...


Buck Webster perched on his ladder, was polishing his gun store window and humming. He puffed on the glass then rubbed the misted area. The doorbell jangled and Jeannie walked in, accompanied by a waft of cool air. The floorboards creaked. She wore a man’s shirt and tight trousers, and her sexuality was beginning to take hold. Webster’s tune ceased, his throat jumped. She leaned against his counter, crossed her ankles and cast her paralytic gaze at him. His nerves twitched. She grinned. “Nice winders, Mr Webster.” He cleared his throat. “Thank you, Jeannie. How can I help you?”

He stepped down from his ladder and smiled. She swept a critical gaze over the glass display case beneath the counter.

“Ah need a gun.” She would be partaking in the next drive, and gun ownership was a necessity. “Uh-huh? What type?”

Webster swung behind his counter and gestured at his display of revolvers under the glass. “Plenty here.” A roll of black velvet lay to one side on the counter. He unrolled it, smoothed it out, and removed a selection of weapons laying them carefully on the velvet. He took a breath and indicated the first revolver.

“This here’s a .36 calibre Navy Colt. Used widely during the Civil War.” “Yup. Know about that. Read about it.” “Okay. Well … this one’s a Derringer, a single-shot weapon.” “Yup. Know about that. Aunt Martha carries one.” He pointed at a long-barrelled revolver. “And that’s the single-action Buntline Special with its 12-inch barrel.” She pointed at the next revolver and her eyes sparkled.

“Is that what I think it is?” “This is the Colt .45 Peacemaker. It’s a single-action revolver used by the army. A solid six-shot. Very popular. That’s a walnut grip—” “Ah know. I’ve read an’ heard a lot about it, too.” Her cool exterior belied hidden excitement. Her gaze weaved from one weapon to the other, observing the finely crafted workmanship, the smooth metals, the attention to detail. Her gaze contemplated. She bit her lower lip in thought. She lingered over the Colt, hesitated, then picked it up and studied it. She balanced it on a finger, then, firmly holding the grip in both hands at arm’s length, lowered it to look along the barrel through the sight, one eye shut. She put it down and picked up the Navy Colt. Mike’s pistol was a Navy Colt and she’d used that. She repeated her inspection. She returned to the Peacemaker and picked it up again. She held the barrel briefly in her left hand then, right finger looped through the trigger guard, smoothly, quickly, twirled it. Webster gaped.

Jees …” “Got a holster for it?”

She held the weapon possessively, turning it over, studying it. Webster rummaged beneath his counter and withdrew a tooled, tanned belt. It hung invitingly between his hands but she restrained herself from grabbing it. He smiled.

“This is about your size, but it’ll cost you a month’s wages.” She cast him a penetrating gaze, her eyes deeply hooded.

“Ah bin savin’.” She slung it around her hips and buckled up. The engraved brass buckle glinted. She slotted the Colt into the holster, withdrew the gun, spun it, and rehoused it with dexterity. Webster’s eyes rounded on her flexing hand. She adopted her cockeyed grin.

“Bin practisin’.” “I can see that. Want more? On ma gun range out back?” “Uh-huh.” Webster produced a box of cartridges from a drawer, then led the way through the rear door into the back yard. A row of six previously holed cans stood on posts, ready for her signature. She slid the Colt from the holster, and, using both hands, thumbed the loading gate open, cocked the hammer two clicks and spun the cylinder. She grinned. Smooth. Feels good. She loaded a bullet into each of the six chambers, thumbed the gate closed and flipped her jacket out of the way. She parted her feet and relaxed her arms at her sides. Webster stood back. She drew, fired with slightly bent knees, first thumb busting three shots then fanning the final three. Exploding cans clattered into the dirt. Webster jerked, blinked. The smell of gunfire permeated the air and the echo died down. His jaw dropped.

“Jesus!” She cleanly spun the weapon into her holster. Webster’s eyes circled. His jaw hung. He turned to face Jeannie’s grin and heavy-lidded eyes. She stood with her weight on one leg, her fingers spread on her hips. He swallowed.

    “Jeannie,” he croaked. “I ain’t never seen no-one that fast, an’ that’s a fact. An’ my guess is that weren’t no fluke. You’s summat, gal, make no mistake.”

    He stood transfixed, shaking his head in astonishment, his gaze bolted to the girl gunslinger. His head shaking, he strode back inside, Jeannie at his rear. He flipped back behind his counter.

    “Guess you’re buyin’ that gun?”     “Sure. Feels good.”     “I could see that.”

    He smiled dryly, his own eyes hooded. The transaction completed, he regarded her.                “Jeannie …”

    She met his gaze. “Uh-huh?”     He lowered his eyes from that relentless gaze. “Be careful, gal.” Her scrutiny turned him pink. “Just be careful, huh?”     “Uh-huh.”     He sighed. “Folks’ll kill me fer sellin’ this to ya!”     She flashed that grin and winked at him, then swaggered out through the door with her acquisition round her hips and a whistle on her lips. Webster might have had misgivings, but his thoughts arose unwittingly: Goddammit – she’s lookin’ good … She strode the sidewalk at ease, loving her new image. Folk paused, gaped, murmured, “Oh, Lord …!” However, their lingering scrutinizing silently admitted her audacity … together with those looks … She could not deny the truth either; they were gazing at her with new dread, and she quelled a chuckle in her belly.









Book 2 - The Outlaw's Return


1887

21 yrs old

Working her way through Colorado.


Girl Gunslinger Gains Reputation

Correspondent Wells Blackburn – April 20th 1887 


'Jeannie Morgan is becoming a familiar name in Colorado. This young woman, a unique individual in many ways, is drifting the west and leading five young male friends who appear to be acting as her protectors – but not in the usual sense of masculine protection. Miss Morgan needs no protection in that respect. The protection she seeks concerns her nature. It is a queer one – she is a woman who has romantic notions for others of her gender as well as those for men.


Her appearance and manner are devastating, and when she enters a room, all eyes are upon her. She equals men in height, and male clothing in the style of a cowboy adorns her with panache. Miss Morgan, unlike the majority of women of the great frontier, is far from ugly or plain. Rather the opposite. She is boyish, slim and athletic, and her piercing pale blue eyes are hypnotic. This woman is – indeed – extraordinary. She clearly possesses warmth, a rollicking humour and a flamboyant manner, but she can just as easily dramatically transform into a frightening coldness. It has been noted by observers that she is competent in the fight, but her phenomenal gun hand – fast and accurate – is sensational. Challenges by intrigued and jealous gunmen threaten her daily – a matter usually ascribed to the male sex. She has been known to kill in self-defence.


Miss Morgan is leaving a trail of jealousy in her wake as a result of her notoriety and her more positive qualities, one of which is her adoration of children, who idolise her in return. As if this were not enough, both men and women develop fancies for her, often unwittingly and beyond their better judgement. Even those who detest her – and there are many – are seduced by her. The woman is a paradox. Her apparent fearlessness instils awe in strong men. No-one quite knows how to handle her, and no-one knows when – and where – she and her boys will turn up.'









ALIAS JEANNIE DELANEY - THE STORYLINE     

Badass pants-wearing tomboy beauty Jeannie Morgan grows to be a cowgirl & the fastest gun west of the Mississippi. But when she discovers that her sexuality is as fluid as a miner's whiskey & both men & women enjoy her magnificent lovemaking, she feels as though she's been trampled by a cattle stampede. 

She's born in vibrant New Orleans in 1865 and strongly rebels against the upbringing of a Victorian girl. The family head west where she finds her true calling on her Pa's ranch. However, the explosive mix of her looks, her charismatic power, her lethal gun & finally her sexuality go against her & the townsfolk want her out or dead. 

How will she survive? Or will those very qualities see her through to a charismatic conclusion?


  Available as e-novel & paperback & on Kindle Unlimited.


IF YOU'VE READ & ENJOYED THE STORY SO FAR, 

I'D BE INCREDIBLY GRATEFUL IF YOU COULD LEAVE A POSITIVE REVIEW ON AMAZON. 

THANK YOU SO MUCH!





                ALIAS JEANNIE DELANEY BOOKS 1 & 2  HAVE APPEARED IN 
                                    THE FOLLOWING BLOGS & ON YOUTUBE:



















Wednesday, 23 July 2025

ITS THE FINAL CHAPTER...



(The figure of Jeannie is mine, the background is ai)

I've reached the final chapter of Book 3. 

And I've blubbed. Got really emotional. That's what I do. It's a bloody pain in my ass but it's what I do. I was born so super sensitive I gush at the sight of kittens. 

This post is more for the benefit of those who have read Books 1 &/or 2 of Alias Jeannie Delaney and are waiting in line for Book 3. The writing of this socking great tome has sometimes been torture, sometimes satisfying, but mostly incredibly intense. 

The story is a right ol' rollercoaster of highs and lows, life and death, gunfights, fist fights, sex, blood, sometimes funny, drugs an' rock an' roll. Just kidding - omit the drugs an' rock an' roll. 

I've spent the last forty years - give or take, and intermittently - writing, researching, editing, self-publishing and marketing the first two novels of Alias Jeannie Delaney. My visual artistry has been largely neglected in my impassioned longing to introduce my heroic western protagonist Jeannie Morgan out into the world. She's my OTT charismatic, scary and funny tomboy-beautiful pants-wearing cowgirl who's the fastest gun west of the Mississippi and a magnificent lover to both men and women. 

She's me. Apparently. I was told. The character I created back in my teens during the late 1960s into the 70s. The individual I craved to be in response to my emotionally neglected upbringing.  Plus, I was becoming a budding UK wild west gal  re-enacting my western persona Kitty Le Roy, who was frustrated with the lousy roles for women in westerns. I wanted to help correct that. So I wrote the story I wanted to read. And Jeannie was and still is ahead of her time. I'm told that this is very appropriate timing for her to be released.

So, as you can see, my heart and soul have gone into this story. 

I've reached the end before, in previous editing, but since publishing Books 1 and 2, PA hubby suggested tentatively, in case I blew his head off, that ideally, the ending should blow readers'  heads off with dynamite. Western style, you understand. 

Therefore I had to change the original ending because it was 'nice' 'Nice' ain't good. 'Nice' don't hack it and have you blubbing into your coffee mug around the chuckwagon. It made you smile like a mule on opium, but smiling don't hack it either. I needed that ending to leave the reader, if not wrung out and suicidal, certainly bawling their heads off into their whiskey. 

So I've changed it thanks to PA hubby. (Yes, he will get the credit). I've woven in a extra piece of plotting to end on a non- opium induced high - a big bang grand finale. Now I've almost done it. I reached the final chapter last night and I just couldn't edit it. I grew sad, emotional and tearful. F**k. I hate that. This is a good thing. I think it means I've done it. I hope so. I hope I've achieved what I set out to do. I'll only know when hubby can barely read out that chapter during the second stage of editing and have to be fortified with his own favourite brand of whiskey. 

So I'm writing this post as a necessary pause in editing before returning to that final chapter. To get my head around it. To gather my emotional reserves in order to tackle that finale. I'm nervous. I read once that J. K. Rowling killed someone off and became miserable as hell. Her husband suggested that she didn't have to do that, but of course she went right ahead and wrote it because she had to. Being a writer sucks. It can f*****g hurt. But if it's a good or even a great piece of writing, you'll bawl into your glass of sarsaparilla or whiskey, wipe your tears and mosey on. That's what I've got to do. 

So, hold onto yer hats, I'm fixin' to dive right in... 😱🤠




THE AUTHOR
LOOKING SUITABLY SCARY
WITH HER WINCHESTER RIFLE 



ALIAS JEANNIE DELANEY - 

THE STORYLINE     


Dynamic pants-wearing cowgirl Jeannie Morgan is the fastest gun west of the Mississippi. Upon discovering that her sexuality is as fluid as a miner's whiskey & both men & women enjoy her magnificent lovemaking, she feels as though she's been trampled by a cattle stampede. 

She's born in vibrant New Orleans in 1865 & strongly rebels against the upbringing of a Victorian girl. The family head west where she finds her true calling on her Pa's ranch. She also discovers with relish that her skill with a gun is lethal. The explosive combination of her tomboy beauty, her powerful  charisma, her sexuality & her lethal gun all go against her. People are calling for her dismissal & even her death. Will it be a case of kill or be killed?

IF YOU'VE READ & ENJOYED THE STORY SO FAR, I'D BE INCREDIBLY GRATEFUL IF YOU COULD LEAVE A POSITIVE REVIEW ON AMAZON. THANK YOU SO MUCH.

 






Tuesday, 24 June 2025

A ROLLER COASTER OF EMOTIONS

A ROLLER COASTER OF EMOTIONS 


Plot bunny hubby loves my ending for Book 3 of my epic western trilogy Alias Jeannie Delaney! He's my emotion meter. If he loves it, it's good. We did a plot bunny session over coffee in the cafe today and we both grew emotional and laughed a lot. 

It's a challenge. The original ending was... nice. Nice ain't good, is it? It won't hack it. It's got to be a big bang ending or not at all. So I've got a big bang ending. I'm weaving it into the current story and I've only got ten chapters to go. 

I also have fans. One of them lives next door and another lives at the end of my road. Yet another couple of them are our son's best friends who live in town. Mark, next door, said: "Congratulations on..." He'd just read about a major event in my protagonist Jeannie's life. He didn't mention her name. "You what - ?" I said, then it clicked. "Ah, yes - thank you!" 

Alias Jeannie Delaney is one hell of an emotional, supercharged ride. 



While working through it with my 'plot bunny' PA husband, I could tell when he had been grabbed by the story, apart from his ownership of it through working on it alongside his spouse (me). He'd go quiet and swallow if it was an emotive moment. He'd chuckle if it was funny. If it was a hot blooded sexy moment his voice would change again (I can't describe that one suitably!). When something deeply emotional and sad happened we blubbed. I was concerned that I wouldn't recover (I did). 

Throughout the writing I was thoroughly excited if the narrative worked, particularly when Jeannie was caught up in what would be a pivotal moment traditionally played by a heroic western hero. I could see her in my head as I was writing it, so I knew that that instant was a good 'un. 

Back when I was a young mum and writing the story for the first time, I trembled with emotion, so I had a suspicion that I was forging something good, but precisely how good I had no idea. So I ploughed onwards. The old heart strings were plucked something chronic and I was never bored in the writing. If a scene wasn't working, I'd sense it and deal with it, by changing it somehow or by deleting it altogether. So harsh.

I have several role model movies right from the start, but only one role model for Jeannie herself. I started with Butch Cassidy and the Sundance kid in 1969. I loved the characters (played by Paul Newman and Robert Redford), and the injection of humour. I wanted Alias Jeannie Delaney to have its fair share of funny as a respite from the no quarters held violence. Alias Smith and Jones was a firm favourite. Plenty of humour and a simple plot involving our heroes being constantly on the run because they need to be officially wanted men until they've been offered an official amnesty. The High Chaparral was another fun one back then. 





Calamity Jane, made in 1953 (the year of my birth, coincidentally) was great fun and cheeky. I loved Doris Day's rendering. As a result I wanted Jeannie to dance and sing and be the centre of attention (she's the centre of attention just by being somewhere!), but I felt the story would become a parody if I wasn't careful. Jeannie can indeed dance a jig and play the mouth organ but she doesn't sing, although I see her as a contemporary electric guitar playing rock star belting out emotion in a sensual, slightly husky, androgenous voice. (Now you know my night imaginings). Referring back to Doris Day's Calamity Jane, the ending, when Jane is dolled up in a wedding dress and driven away by Wild Bill is hateful. Arrgh! Tamed. Let's not go there. 




Further, contemporary influences are Brokeback Mountain, written by Annie Prouix and a film directed by Ang Lee. The story starts in 1963 and ends in 1983 and features two young cowboys who fall in love with one another. The story dealt with LGBTQ, a subject that's gradually becoming acceptable in films and books. Last but by no means least, Sharon Stone's female gun slingin' gal in The Quick and the Dead, released in 1995, was a very strong role model. The closest yet to influence me. Other movie influences have been no quarters held and gritty such as Quentin Tarantino movies, which is a bit of a conundrum considering I also wanted humour in my story. 




I was depressed much of the time, such was the state of my mental health, but when I was really struggling, we knew it was the story that was affecting me. "I want to get Jeannie out into the world. I want to get her out." Because there was no other woman in literature that was anything like her, let alone in a western. I had nobody else's boots to fill. Just mine. A very niche market. I suffered burnout from trying too hard. 

But would anyone see her as I did? This dynamic, mesmeric and charismatic individual, who boasts devastating tomboy looks, now graces (not certain if that's the right word for Jeannie!) my pages in such a powerful way that she's extraordinary. As I wrote her story I thought: "Oh God - she's so OTT."  But try as I might I couldn't make her less than she was. Less beautiful, less charismatic, less ...  She was having none of it! She is what she is and for that reason she's made for an irresistible and compelling story. So I've been told. I can't ask for more than that! 

My editor was the first professional to love the story - she called it 24 carat writing. I'm so grateful to her. So fortunate that I chose her to edit Books 1 and 2. Book 3 should be launched this year with any luck, and there will be further stories of Jeannie's exploits. I've spent the majority of my teens and adult life thinking about her - damn her! - so I can't just leave her behind. No chance. 

Meanwhile, I'm making a bad job of attempting to return to visual artistry as a complete break from her. No chance there, either. Many years ago, I created illustrations of her, so I'm using those on Canva to create promotional material. So there's no escaping her! On the other hand I'm rather pleased that I've become adept at computer graphics, and I rather enjoy that. Makes a change from crafting emotional, funny, graphic gun fights, but whatever I do, she's there, in my head...  Damn her! 

I can't complain, however - I've accrued well over one thousand three hundred readers and approaching fifty 5 star ratings and reviews. I'll end on an Ee-hah! (Seems appropriate). 





THE 1ST TWO BOOKS HAVE APPEARED IN THESE BLOGS & ON YOUTUBE:



Facebook Jo Ballantyne


ALIAS JEANNIE DELANEY - THE STORYLINE     


Dynamic pants-wearing cowgirl Jeannie Morgan is the fastest gun west of the Mississippi, but when she discovers that her sexuality is as fluid as a miner's whiskey & both men & women enjoy her magnificent lovemaking, she feels as though she's been trampled by a cattle stampede. 

She's born in vibrant New Orleans in 1865 and strongly rebels against the upbringing of a Victorian girl. The family head west where she finds her true calling on her Pa's ranch. However, her tomboy beauty, her powerful persona and her lethal gun go against her and before long people are calling for her dismissal and even her death. How will she survive? Will she survive? Or will those very qualities see her through to a charismatic conclusion?

IF YOU'VE READ & ENJOYED THE STORY SO FAR, I'D BE INCREDIBLY GRATEFUL IF YOU COULD LEAVE A POSITIVE REVIEW ON AMAZON. THANK YOU SO MUCH!